Ticketing & Live Events
•35 stocks
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All Stocks (35)
| Company | Market Cap | Price |
|---|---|---|
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TME
Tencent Music Entertainment Group
Ticketing & Live Events is a revenue/engagement channel through artist concerts and priority access for SVIP members.
|
$47.18B |
$18.32
+0.96%
|
|
TCOM
Trip.com Group Limited
Entertainment Plus Travel offerings bundle event tickets with accommodation and transportation, linking travel with live events.
|
$45.59B |
$70.02
+0.24%
|
|
CUK
Carnival Corporation & plc
Carnival uses ticketing services for cruise bookings and on-board events; aligns with Ticketing & Live Events.
|
$36.01B |
$23.50
-2.57%
|
|
TKO
TKO Group Holdings, Inc.
Ticketing and live events revenue from UFC/WWE and related properties.
|
$35.33B |
$180.71
+1.43%
|
|
LYV
Live Nation Entertainment, Inc.
Ticketing services provided via Ticketmaster for events and venues.
|
$30.63B |
$126.16
-3.42%
|
|
RHP
Ryman Hospitality Properties, Inc.
RHP operates live entertainment venues and related events (OEG brands) and thus provides ticketing/live events services.
|
$5.94B |
$93.83
-0.50%
|
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MSGS
Madison Square Garden Sports Corp.
Ticketing and live event revenue streams from home games and other events.
|
$5.19B |
$217.85
+0.73%
|
|
CNK
Cinemark Holdings, Inc.
Cinemark generates revenue from selling admissions tickets, i.e., ticketing and live-event access.
|
$3.39B |
$27.98
-5.12%
|
|
SPHR
Sphere Entertainment Co.
Sphere coordinates ticketing and management of live events at its venues and content productions.
|
$2.74B |
$77.04
+1.37%
|
|
MANU
Manchester United plc
Major revenue driver from ticketing and live events, including matchday experiences and hospitality.
|
$2.66B |
$15.26
-1.20%
|
|
MSGE
Madison Square Garden Entertainment Corp.
Ticketing & Live Events are a direct service provided via its venues and event bookings.
|
$2.27B |
$47.35
-0.94%
|
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IMAX
IMAX Corporation
IMAX sells tickets and operates venues, aligning with Ticketing & Live Events capabilities.
|
$1.94B |
$36.13
+0.25%
|
|
PRKS
United Parks & Resorts Inc.
Sells admission tickets and hosts events (e.g., seasonal Halloween events), aligning with Ticketing & Live Events.
|
$1.84B |
$33.85
+1.21%
|
|
FBYD
Falcon's Beyond Global, Inc. Class A Common Stock
Ticketing and live events are part of delivering experiential experiences.
|
$1.48B |
$13.28
+8.76%
|
|
FUN
Six Flags Entertainment Corporation
The company directly provides ticketing services and access to park experiences via its venues.
|
$1.36B |
$14.31
+6.43%
|
|
AMC
AMC Entertainment Holdings, Inc.
AMC sells movie tickets to consumers, providing a direct ticketing service for films and events.
|
$1.13B |
$2.17
-1.14%
|
|
LUCK
Lucky Strike Entertainment Corporation
Venue-based access to experiences implies ticketing and live events as a revenue/operational channel.
|
$1.01B |
$7.39
+3.14%
|
|
MSC
Studio City International Holdings Limited
Provides ticketing and live events services for performances and experiences at the resort.
|
$803.88M |
$3.87
+1.44%
|
|
EEX
Emerald Holding, Inc.
Emerald's core business is organizing and selling tickets to B2B trade shows and live events.
|
$781.99M |
$3.69
-6.58%
|
|
PLAY
Dave & Buster's Entertainment, Inc.
Ticketing & Live Events as revenue through events and experiences at venues.
|
$488.21M |
$13.92
-1.42%
|
|
VENU
Venu Holding Corporation
Ticketing and live events revenue generated at company-operated venues.
|
$391.02M |
$9.66
-0.41%
|
|
SEG
Seaport Entertainment Group Inc.
SEG generates revenue from events and ticketing related to its live entertainment venues.
|
$257.20M |
$20.54
|
|
EB
Eventbrite, Inc.
Eventbrite's core offering is a ticketing and live events platform that directly enables creators to host and monetize events, and attendees to purchase tickets.
|
$248.97M |
$2.47
-4.26%
|
|
RICK
RCI Hospitality Holdings, Inc.
Ticketing and live events services/platforms for in-venue entertainment are part of the company's live entertainment ecosystem.
|
$215.56M |
$23.42
-4.41%
|
|
GAMB
Gambling.com Group Limited
Spotlight.Vegas online ticketing / live events booking platform.
|
$186.02M |
$5.02
+1.01%
|
|
SEAT
Vivid Seats Inc.
Core business is a ticketing and live events marketplace enabling buyer-seller transactions.
|
$81.44M |
$7.72
-2.53%
|
|
CPHC
Canterbury Park Holding Corporation
Canterbury Park hosts live events that involve ticketing and audience engagement.
|
$77.82M |
$15.25
-0.33%
|
|
PRKA
Parks! America, Inc.
The company sells park admission tickets and related access; ticketing is a core service and revenue channel.
|
$29.50M |
$39.15
|
|
AGAE
Allied Gaming & Entertainment Inc.
The company’s live events generate revenue via ticketing and event management activities across its esports, music, and Mahjong initiatives.
|
$13.63M |
$0.37
+4.46%
|
|
CPOP
Pop Culture Group Co., Ltd
Provides ticketing and live event services as part of its entertainment offerings.
|
$6.89M |
$0.46
+0.33%
|
|
HOFV
Hall of Fame Resort & Entertainment Company
The company hosts and sells tickets to live events and experiences, tying into its entertainment destination model.
|
$2.96M |
$0.44
|
|
DGLY
Digital Ally, Inc.
Entertainment segment includes TicketSmarter's ticketing marketplace, i.e., ticketing services and live-event enablement.
|
$2.14M |
$1.38
+11.29%
|
|
BOTY
Lingerie Fighting Championships, Inc.
Provides ticketing services for live events and operates live event venues.
|
$804227 |
$0.00
|
|
LDSN
Luduson G Inc.
Mention of event-based services includes ticketing-related activities within the entertainment domain.
|
$619813 |
$0.00
|
|
GDHG
GOLDEN HEAVEN GROUP HOLDINGS LTD.
Operating parks entails managing ticketing and live events as part of the customer experience and admissions.
|
$12696 |
$4.29
-6.74%
|
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# Executive Summary
* The Ticketing & Live Events industry faces a pivotal moment as intense regulatory and antitrust scrutiny challenges the dominant integrated model of market leader Live Nation, potentially reshaping the ticketing landscape.
* Technological innovation, particularly AI and immersive experiences, has become the primary engine for growth and differentiation, creating new revenue streams and justifying premium pricing.
* While consumer demand for live events remains robust, macroeconomic headwinds are beginning to pressure discretionary spending, creating uncertainty around future ticket volumes and per-capita revenue.
* The sports and entertainment media landscape is being redefined by multi-billion dollar shifts from traditional broadcasting to exclusive streaming platform deals.
* Financial performance is bifurcated: strong top-line growth for in-demand concert and immersive experience providers contrasts with revenue declines for those impacted by media rights shifts or macro sensitivity.
* Capital allocation is focused on shareholder returns through large-scale buybacks and strategic investments in technology and venue expansion to solidify competitive advantages.
## Key Trends & Outlook
The Ticketing & Live Events industry is operating under the shadow of significant regulatory and antitrust pressure, primarily targeting Live Nation's market dominance. The Department of Justice (DOJ) and Federal Trade Commission (FTC) have filed a major lawsuit against Live Nation, alleging its subsidiary Ticketmaster leverages an approximate 80% market share in major concert venues to engage in anti-competitive practices. This legal threat was amplified by an October 2025 Supreme Court decision that deemed the company's consumer arbitration agreements unenforceable under California law, exposing it to costlier class-action lawsuits. The mechanism for valuation impact is severe, with potential for forced divestiture of Ticketmaster, billions in fines, and mandated changes to its profitable ticketing and resale business models. This creates a direct and immediate risk for Live Nation (LYV) and a potential long-term opportunity for smaller players if the market structure is forcibly altered.
In response to competitive and economic pressures, companies are aggressively deploying technology to create new value. This is most evident in the creation of entirely new, premium-priced immersive experiences, as pioneered by Sphere Entertainment (SPHR), which uses proprietary technology and AI-generated content to drive attendance. Sphere Entertainment's original content, "The Wizard of Oz at Sphere," sold 1 million tickets and generated $130 million in revenue by mid-October 2025, validating its tech-first model. For ticketing platforms like Eventbrite (EB), technology is creating new, high-margin revenue streams, with its performance-driven native advertising platform, Eventbrite Ads, growing 50% year-over-year in Q2 2025. Across the industry, AI is being integrated to enhance efficiency in customer service, optimize marketing, and combat ticket scalping.
Despite strong underlying demand, the industry's primary risk is macroeconomic pressure on consumer discretionary spending, which has already led to "ticket volume headwinds" for companies like Eventbrite (EB), contributing to a 14% year-over-year revenue decline in Q2 2025. Similarly, B2B organizers like Emerald Holding (EEX) experienced a 6.8% year-over-year organic revenue decline in Q3 2025, partly due to "tariff headwinds affecting a major event." For sports-focused entities, the ongoing shift of media rights to streaming platforms presents both a major opportunity, exemplified by TKO Group's (TKO) seven-year, $7.7 billion media rights deal with Paramount for UFC, and a significant risk for those tied to the declining linear TV ecosystem.
## Competitive Landscape
The Ticketing & Live Events industry presents a bifurcated market structure, characterized by both highly concentrated segments and fragmented areas. Live Nation's Ticketmaster subsidiary, for instance, controls approximately 80% of major concert venues' ticketing, indicating a high level of concentration in that specific segment. In stark contrast, the U.S. trade show industry is highly fragmented, with the five largest companies, including Emerald Holding (EEX), comprising only 8% of the wider market. This dynamic environment fosters several distinct competitive models.
One prominent competitive model is the **Vertically Integrated Ecosystem**. Companies employing this strategy aim to control every aspect of the live concert value chain, from artist management and event promotion to venue operation and exclusive ticketing. The key advantage of this model lies in its massive economies of scale, unparalleled data insights across the value chain, and the ability to capture revenue at every stage, creating a formidable competitive moat. However, its key vulnerability is that extreme concentration of market power invites intense regulatory scrutiny and antitrust action, creating significant legal and reputational risk. Live Nation (LYV) exemplifies this model, with its Ticketmaster subsidiary controlling approximately 80% of ticketing for major concert venues, which the DOJ alleges is used to reinforce its dominance in concert promotion.
Another significant model is the **Premium Content Owner**. These entities compete by owning and controlling unique, high-demand sports or entertainment intellectual property (IP) and monetizing it globally through media rights, live events, and merchandise. The core advantage of this strategy is that direct ownership of scarce, year-round content with a passionate, global fanbase allows for lucrative, long-term media rights deals and strong pricing power for live events. Conversely, a key vulnerability is that revenue is highly dependent on a few massive media rights deals, making it susceptible to shifts in the broadcast landscape. TKO Group (TKO) perfectly illustrates this model, unifying the UFC and WWE brands to create a combat sports powerhouse and leveraging this consolidated IP to secure a seven-year, $7.7 billion exclusive streaming deal with Paramount+ for UFC.
The **Technology & Experience Innovator** represents a third competitive approach. Companies adopting this model compete by offering a technologically superior or uniquely immersive live experience that cannot be easily replicated, thereby justifying premium pricing and creating a destination asset. The primary advantage is that proprietary technology and a unique fan experience create a strong brand identity and pricing power, attracting both consumers and artists looking for a differentiated platform. However, a significant vulnerability is the extremely high capital intensity required for venue construction and technology research and development, necessitating a consistent pipeline of compelling content to generate a return on investment. Sphere Entertainment (SPHR) is a prime example, having built its entire business around a technologically advanced venue with over 60 patents, from its immersive sound system to its generative AI content partnership with Google.
## Financial Performance
Revenue growth in the Ticketing & Live Events industry is highly bifurcated, reflecting differing end-market exposures. This divergence is driven by robust consumer demand for premium live music and immersive experiences versus the volatility of media rights deals and macroeconomic sensitivity in the B2B and mid-market segments. Leaders are capitalizing on the "experience economy," while others are navigating structural shifts or consumer spending headwinds. Live Nation (LYV) demonstrates strong performance in core live events, with its concert revenue growing 11% year-over-year to $7.28 billion and ticketing revenue increasing 15% year-over-year to $797.57 million in Q3 2025. In contrast, Eventbrite (EB) experienced a 14% year-over-year revenue decline in Q2 2025, attributed to "ticket volume headwinds," illustrating the impact of macroeconomic sensitivity on the mid-market segment.
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Profitability metrics diverge based on business model, with many companies reporting net losses due to high investment costs, even while showing positive adjusted operating income. The divergence is explained by capital intensity and content ownership. Technology and venue-centric players like Sphere Entertainment (SPHR) are investing heavily in their unique offerings, leading to a significant operating loss of -$129.7 million in Q3 2025, despite reporting an Adjusted Operating Income of $36.4 million. This contrasts with asset-light content owners, such as TKO Group (TKO), whose UFC segment reported a 63% Adjusted EBITDA margin in Q1 2025, demonstrating the high-margin potential of a content-driven model.
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Capital allocation in the industry shows a dual focus on returning significant capital to shareholders and making strategic investments in technology, mergers and acquisitions (M&A), and physical assets. Mature, cash-generative companies are signaling confidence through large-scale buybacks, while others are refinancing debt to fund expansion. TKO Group (TKO) announced a $1 billion share repurchase program in September 2025, including an $800 million accelerated share repurchase, exemplifying a large-scale capital return strategy. Concurrently, Live Nation (LYV) priced a $1.3 billion convertible senior notes offering in October 2025, with proceeds used to redeem existing debt and fund general corporate purposes, including potential future venue investments, illustrating strategic investment in its core assets.
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Balance sheets across the industry are generally healthy and actively managed, with a clear trend of debt refinancing to extend maturities and secure liquidity for strategic priorities. Companies are proactively managing their capital structures to navigate the current interest rate environment and ensure they have the financial flexibility for M&A, capital expenditures, and share repurchases. Emerald Holding (EEX) provides a representative example, having successfully refinanced its debt in January 2025 to extend maturities to 2032 and maintaining a healthy net debt to covenant EBITDA ratio of 2.96x as of September 30, 2025, which is within its sub-3.0x target range.